However, this essay will dwell on the elegant and consistent music engraving in the work, and on its creators, two renowned music engravers, François Moria and Marie-Charlotte Vendôme, collaborators, business partners and then briefly husband and wife. It is natural that the skill and invention of the image engravers, particularly Jean-Michel Moreau le Jeune, has captured most attention amongst scholars and connoisseurs of the Choix de chansons. It was a field in which French engravers had, by the time of the songbook, established pre-eminence. 1 In the case of the text and music, this was achieved by artisans in the very specialized metier of music engraving. The musical notation, words and images were all created by burin engravers. One of the remarkable aesthetic features of the Choix de Chansons was that it was entirely engraved, meaning that no moveable type was used.
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